PETITE MESSE SOLENELLE - G. ROSSINI

EPOCH TIMES

And now it was time for what is, musically speaking, perhaps the most beautiful aria in Rossini’s Mass: “Crucifixus.” Soprano soloist Synne Vinje excelled with seductively beautiful singing, culminating in a wonderfully blooming upper register.

— Epoch Times, 01.04.2026

DISGUISED GOD - L. E. LARSSON

TYRESÖ NYHETER

Particularly memorable was the performance of Disguised God, in which, among others, the soprano Synne Vinje sang with a clear and expressive voice that carried throughout the church. She is at the beginning of a promising career, and her presence gave the music a sense of both youthful intensity and lyrical beauty.

– Tyresö Nyheter, 19.03.2026

THE QUEEN OF SPADES - TCHAIKOVSKY

SVENSKA DAGBLADET

Synne Vinje, in the role of Lisa, has a confident richness in her voice and is a singer I look forward to seeing more of in the future.”

— Loretto Villalobos, Svenska Dagbladet, 18.06.2025

TIDSKRIFTEN OPERA

“Synne Vinje’s Liza has a cutting edge to her voice and a strong presence on stage.”

— Claes Wahlin, Tidskriften Opera, 17.06.2025

AFTONBLADET

“…it’s actually the women of the ensemble who shine the brightest. Soprano Synne Vinje, as Liza in a patent leather corset and lace stockings, seems capable of blowing anyone’s mind with her voice — so it’s hardly surprising that Herman falls madly and hopelessly in love with her.”

— Cecilia Djurberg, Aftonbladet, 17.06.2025

DAGENS NYHETER

“The four excellent singers perform with full-blown Tchaikovsky flair.”

— Camilla Lundberg, Dagens Nyheter, 17.06.2025

MADAMA BUTTERFLY - GIACCOMO PUCCINI

TIDSKRIFTEN OPERA

“Soprano Synne Vinje as Cio-Cio-san has a rich maturity to her voice.”

— Loretto Villalobos, Tidskriften Opera, 16.07.2024

UPSALA NYA TIDNING

“The crystal-clear voice of Synne Vinje fills every cubic centimeter of the rustic Ånghammaren. The Norwegian rising star charges Madama Butterfly’s most famous aria “Un bel dì vedremo” with emotions so powerful, it’s impossible not to feel shivers throughout the body.”

— Göran Sterner, Upsala Nya Tidning, 04.07.2024

SUOR ANGELICA - GIACCOMO PUCCINI

GEFLE DAGBLAD

“Synne Vinje's Angelica is as bright as her aunt is somber and ominous, an angel in a nun's robe who turns sorrow into love — gripping and convincing.”

— Gefle Dagblad, 11.06.2022 

HAUGTUSSA OP 67 - E. GRIEG/ A. GARBORG

SEEN AND HEARD INTERNATIONAL

Norwegian soprano Synne Vinje had selected five of them [eight songs by Edvard Grieg with texts from Arne Garborg’s cyclic Haugtussa] and sang them with poetic warmth as well as erotic glow, well nuanced.”

— Seen and Heard International, 25.07.2023 

“Synne Vinje …with a voice like a mountain stream and a storm on the Northern Sea.”

— Vattnäs Konsertlada, 05.07.2023

ZANETTO - PIETRO MASCAGNI

“Synne Vinje has a really beautiful voice,  for which the role of Silvia seemed to fit brilliantly.”

— Kulttuurijournalismia merenpohjalta, 21.11.2023

LA BOHÈME - GIACCOMO PUCCINI

DALA-DEMOKRATEN

“Synne Vinje portrays her [Musetta] with bravura, as she mixes wit and sharp humour with empathy and loyalty ...a convincing role interpretation and the aria in the second act is superb!”

— Dala-Demokraten, 01.08.2022

SEEN AND HEARD INTERNATIONAL

“Synne Vinje was a stylish Musetta .”

— Seen and Heard International, 03.08.2022 

— OTHER —

UNIARTS SCHOLARSHIP COMITTEE

“Synne Vinje has a soprano voice that spans from dark ebony to bright brilliance, suitable for the lyric dramatic opera roles.”

— Scholarship Committee, Stockholm Uniarts