The Queen of Spades by P. I. Tchaikovsky
❝ SVENSKA DAGBLADET
— Loretto Villalobos, 18.06.2025
“Synne Vinje, in the role of Lisa, has a confident richness in her voice and is a singer I look forward to seeing more of in the future.”
❝ TIDSKRIFTEN OPERA
— Claes Wahlin, 17.06.2025
“Synne Vinje’s Liza has a cutting edge to her voice and a strong presence on stage.”
❝ AFTONBLADET
— Cecilia Djurberg, 17.06.2025
“…it’s actually the women of the ensemble who shine the brightest. Soprano Synne Vinje, as Liza in a patent leather corset and lace stockings, seems capable of blowing anyone’s mind with her voice — so it’s hardly surprising that Herman falls madly and hopelessly in love with her.”
❝ DAGENS NYHETER
— Camilla Lundberg, 17.06.2025
“The four excellent singers perform with full-blown Tchaikovsky flair.”
Madama Butterfly by Giacomo Puccini
❝ TIDSKRIFTEN OPERA
— Loretto Villalobos, 16.07.2024
“Soprano Synne Vinje as Cio-Cio-san has a rich maturity to her voice.”
❝ UPSALA NYA TIDNING
— Göran Sterner, 04.07.2024
“The crystal-clear voice of Synne Vinje fills every cubic centimeter of the rustic Ånghammaren. The Norwegian rising star charges Madama Butterfly’s most famous aria “Un bel dì vedremo” with emotions so powerful, it’s impossible not to feel shivers throughout the body.”
La Bohème by Giaccomo Puccini
❝ DALA-DEMOKRATEN
— 01.08.2022
“Synne Vinje portrays her [Musetta] with bravura, as she mixes wit and sharp humour with empathy and loyalty ...a convincing role interpretation and the aria in the second act is superb!”
❝ SEEN AND HEARD INTERNATIONAL
— 03.08.2022
“Synne Vinje was a stylish Musetta .”
Petite Messe Solenelle by G- Rossini
❝ EPOCH TIMES
— 01.04.2026
“And now it was time for what is, musically speaking, perhaps the most beautiful aria in Rossini’s Mass: “Crucifixus.” Soprano soloist Synne Vinje excelled with seductively beautiful singing, culminating in a wonderfully blooming upper register.”
Disguised God by Lars Erik Larsson
❝ TYRESÖ NYHETER
— 19.03.2026
“Particularly memorable was the performance of Disguised God, in which, among others, the soprano Synne Vinje sang with a clear and expressive voice that carried throughout the church. She is at the beginning of a promising career, and her presence gave the music a sense of both youthful intensity and lyrical beauty.”
Haugtussa, Op. 67 by Grieg / Garborg
❝ SEEN AND HEARD INTERNATIONAL
— 25.07.2023
“Norwegian soprano Synne Vinje had selected five of them [eight songs by Edvard Grieg with texts from Arne Garborg’s cyclic Haugtussa] and sang them with poetic warmth as well as erotic glow, well nuanced.”
❝ VATTNÄS KONSERTLADA
— 05.07.2023
“Synne Vinje …with a voice like a mountain stream and a storm on the Northern Sea.”
Suor Angelica by Giacomo Puccini
❝ GEFLE DAGBLAD
— 11.06.2022
“Synne Vinje's Angelica is as bright as her aunt is somber and ominous, an angel in a nun's robe who turns sorrow into love — gripping and convincing.”
Zanetto by Pietro Mascagni
❝ KULTTUURIJOURNALISMIA MERENPOHJALTA
— 01.11.2023
“Synne Vinje has a really beautiful voice, for which the role of Silvia seemed to fit brilliantly.”
Other
❝ UNIARTS SCHOLARSHIP COMITTEE
“Synne Vinje has a soprano voice that spans from dark ebony to bright brilliance, suitable for the lyric dramatic opera roles.”